Next VDO » arrogance
Jun 26
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IGNORANCE IS BLISS! Try that kind of sissified whining in the military and observe, as Sarge give ya a swift kick to those shins, m*f

They say “fight” but they don’t fight… they whine.

Youtube is “Free Video Hosting” . You get exactly what you paid for, if your videos are deleted.

There is _nothing_ saying youtube must host any thing you or I, or anyone posts. They are not guarantors of the Constitution and do not “owe” anyone any explanation if they delete a video or account. This is not bias, this is reality of the internet.

REAL MEN should deal with reality instead of whining, and find alternative solutions.

In fact, if you think you’re guaranteed space, think again — re-read their terms / conditions.

There is nothing guaranteed.

If you want guarantees, lease a server of your own. But in my experience with free web hosting (of any kind), you risk deletion of your account.

These silly boys who are whining, will eventually piss off the Execs at youtube, and only result in stiffer rules and even possibly a limit on “free” videos, and the rest paid. Youtube is a business.. and they don’t owe you, myself or anyone, anything.

Instead of whining, try being grateful for what you do have, for a change. Too many have been given a free voice on youtube, and are never thankful for what they do _have_. Only more whining…

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Mar 21
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Demian, played for the 1st time with Dierdre Dubois.
Taken from The Penelopes’ debut album “The Arrogance Of Simplicity”, released on Vitalic’s label: Citizen

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Mar 16
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This is a great video of Mormon Missionaries taking on a preacher from Georgia. They are all fools in my opinion, but the Georgia Preacher definitely dismantles the Mormon missionaries rather easily.

This is what happens when you send little 19 year old, sheltered Mormons into the real world, completely unprepared and uneducated. All they can say, is “we represent Jesus Christ, the church is true and Joseph Smith was a prophet of God and the truth was restored because no one believed in Jesus any longer and they crucified him.”

Now, you get much beyond that little box and they are completely lost and clueless. Some people took issue with the black preacher referring to them as “white boys” at the end, but hey; if I was a black man, knowing that Mormonism teaches I am the “seed of Cain” and “Satan’s representative on earth”, and two “white boys” came up to me and wanted to set me straight on God and Jesus….I’d probably say much worse than he did and I have no problem with that. I’m a “white boy” and I was not offended in the slightest by his comments.

The Mormon church is a very racist organization and like I said, these missionaries got off easy, as this man could have unloaded on them with the racist history and teachings of Mormonism, which would have all been true.

The preacher man was right that they actually believe in Joseph Smith and his Jesus and Gordon B. Hinckley, current Prophet of the Mormon cult openly admits that they proudly don’t believe in the Biblical Jesus of Christianity.

On the other hand, the preacher guy was no better than they were, in the sense that he too, just like them, is deluded and brainwashed and believes that HE has the “one and only truth.”

In other words, they both believe they are “the only ones with truth” and they are all completely full of SHIT and equally arrogant. For me, it’s just good fun to see three arrogant, clueless people going at it.

Also, before you TBMS feel too bad for these poor little missionaries; realize that the camera was rolling in plain site when they rode up on their bikes, they could see it and they still arrogantly proceeded, because they truly believe that they alone, along with all the other missionaries, truly represent the correct Jesus Christ and God and are the only ones on the planet with the truth.

Here are some great links from my blog to read and links to other videos of mine here on YouTube referencing the Mormon, racist teachings:

http://mormontruth.blogspot.com/2006/04/gordon-b-hinckley-mormon-prophet-of.html

http://mormontruth.blogspot.com/2007/04/mark-e-petersons-horrific-racist-speech.html

http://mormontruth.blogspot.com/2007/01/martin-luther-king-jr-i-have-dream-too_15.html

http://mormontruth.blogspot.com/2005/08/what-were-things-that-proved-to-me.html

http://mormontruth.blogspot.com/2005/12/boyd-k-packer-current-mormon-apostle.html

http://mormontruth.blogspot.com/2005/08/is-mormon-church-racist-or-is-it-god.html

http://mormontruth.blogspot.com/2007/02/will-racist-mormon-history-doctrines.html

http://mormontruth.blogspot.com/2007/03/did-mormon-apostle-and-future-prophet.html

http://www.youtube.com/watch’v=jaNqPH2-oGI

http://www.youtube.com/watch’v=uCWw1FBYOuM

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Mar 14
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J C KAPUR Publisher, World Affairs and President, Kapur Surya Foundation, New Delhi, India. - Futurist, Long Time Friend of R. Buckminster Fuller, Entrepreneur.
The following is the beginning of an introduction of a Message from J. C. KAPUR Publisher and Editor in Chief titled: THE WAY OF ALL EMPIRES: “The working of the present paradigm of ‘Armament Protected Consumerism’ is aborting the process of evolution by freezing it at the lowest of the seven stages of human advancement—that is at the material level. Today we are suffering from the human and ecological consequences of reckless globalisation together with its paraphernalia of endless violence, terrorism, conquest, civilisational conflicts and the break down of the ethical and moral order. As this process advances, hundreds of millions are being trapped at diverse levels of deprivation; while only a few million are its visible beneficiaries. The entire operation is envisioned, planned, manipulated, controlled and monitored by a coterie of financial oligarchs, which periodically changes its shape and face. The working of the present paradigm of ‘Armament Protected Consumerism’ is aborting the process of evolution by freezing it at the lowest of the seven stages of human advancement—that is at the material level. Today we are suffering from the human and ecological consequences of reckless globalisation together with its paraphernalia of endless violence, terrorism, conquest, civilisational conflicts and the break down of the ethical and moral order. As this process advances, hundreds of millions are being trapped at diverse levels of deprivation; while only a few million are its visible beneficiaries. The entire operation is envisioned, planned, manipulated, controlled and monitored by a coterie of financial oligarchs, which periodically changes its shape and face.” www.worldaffairsjournal.com

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Mar 14
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These 2 arrogant teenage twits have some pretty big balls, they were caught stealing money from a 9 year old Girl Scout selling cookies and are upset they have criminal charges and didn’t get to keep the money

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Mar 10
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RETURN TO COMBOLAND - A personal look at North Carolina’s most influential (and secret) music legacy. Documentary Seeking Co-Production Partner - Produced and Directed by Steve Boyle. This is a sample of some of the archived music videos Steve created from 1981 to 1984.

Artist featured: LUKY OWENS & REVOLVER Luky [pronounced LOO-Key, not lucky] Owens (Vocals), Johnny Hackney (Guitar), Gary Flowers (Bass), Tommy Hayes (Keyboards), Rusty Wiggs (Drums).

IT’S NOT FOREVER was my first real performance music video. Robert Kirkland (Arrogance) produced the Luky Owens & Revolver demos and commissioned me to create a concept video for LIKE A REVOLVER as a promotion vehicle to gain a record label for his protégé, but I wanted a rocker under my belt and threw in this performance video along with the concept video. I figured that since I had the theater for the performance portion of the other video, I might as well shoot a second video too. The band’s manager, Harry Simmons funded both videos for the grand budget of $240. Hey, I was happy for the funding and any excuse to make videos. Plus I was excited to work with Luky who was a one-of-a-kind performer, as can be seen in this video.

Just before the production of this video, I saw the Ramones perform on the Tomorrow Show with Tom Snyder. There was one shot in that show I can still see in my mind. Tom introduced the Ramones. The camera op was above in the audience. He runs down the steps, from the audience and on to the studio floor, and then slides down on his knees under Joey Ramone. So there is this one great take from a high, wide angle in the audience, running into a low angle close-up of the lead singer. That shot has affected me all of these years! That was it for me. All shots had to move as much as possible. And running from high to low angles was my favorite shot. You see a lot of running from far to near, straight on to low angle shots in this video. This style of shooting brings a lot of life to the performance. These days, this sort of shooting is common, but in 1981, it was unheard of. In fact, by 1984 you will see that my performance shots are locked down shots, which was the trend for performances into the late 80’s. I still like to shoot performances with as much body motion as possible. Check out a video I recently shot for Felix Cavaliere http://www.youtube.com/watch’v=Nr9-aIRB86s and you’ll see that after 26 years, Luky’s video is still current.

Luky Owens & Revolver never did get a record deal. By the 1983 they self-released an EP under the band name SPARROWS, but still no notice from the labels. By 1985, like most of the first wave of Comboland artists, they went their separate ways.

Producer, Director, Photographer, Editor — Steve Boyle
Producer — Tony Madejczyk
Production Assistants — John Cline
Performance — Stewart Theater, NCSU, Raleigh (Tuesday, October 20, 1981)
Theater Lighting — Bud Simmons and Cliff Atchison
Song produced by Robert Kirkland (Arrogance) and Randy Shumacher as a demo. Unreleased
Total budget for LIKE A REVOLVER and IT’S NOT FOREVER, $240.

For more (or less) information on Return To Comboland, visit: http://www.returntocomboland.com
http://www.myspace.com/returntocomboland
News & Updates: http://blog.myspace.com/returntocomboland
Contact: comboland@skidmedia.com

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Mar 10
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RETURN TO COMBOLAND - A personal look at North Carolina’s most influential (and secret) music legacy. Documentary Seeking Co-Production Partner - Produced and Directed by Steve Boyle. This is a sample of some of the archived music videos Steve created from 1981 to 1984.

Artist featured: LUKY OWENS & REVOLVER Luky Owens (Vocals), Johnny Hackney (Guitar), Gary Flowers (Bass), Tommy Hayes (Keyboards), Rusty Wiggs (Drums). First of all, his name is pronounced LOO-Key, not lucky. After directing the Fabulous Knobs PLEASE YOU NO MORE video in August, Robert Kirkland (Arrogance) who had produced the Knobs EP, asked me to create a video for his protégé Luky Owens and his band Revolver. The songs were in the demo stage and being pitched to record labels, and so Robert thought that a video would help sell his artist. The songs were strong and video, for its time, was strong too. But for some reason Luky never caught on with the labels.

I had seen Luky perform a number of times in clubs. The intensity you see in the video was the same energy he gave on stage. And so I was highly interested in creating a video for someone who resembled some of the acts I used to watch in the mid-70’s New York Punk scene.

The budget I was issued for this and one other Luky video had a grand total of $240. At $120 per video, that was a $20 increase in budget from the last video! I decided to pool the few dollars I had to create a concept video for LIKE A REVOLVER and then create a performance video for IT’S NOT FOREVER.

Take a good look at “the In crowd.” In the first bar scene there’s Don Dixon (Arrogance), Debra DeMilo (The Fabulous Knobs) and Terry Anderson (The Fabulous Knobs) standing behind Luky. Later in the club scenes, you can also see Robert Kirkland (Arrogance) and David Enloe (The Fabulous Knobs). Also seen is Randy Schumacher who worked for Audiofonics and would, by 1983, direct three performance music videos for Arrogance.

While shooting this portion of the video, the dB’s were loading in to The Pier. They were setting up to play that night. Peter Holsapple dropped by to see what was going on and Robert Kirkland introduced Peter to me. I then talked my way into shooting the dB’s performance later that night. I wound up cutting a video for UPS & DOWNS. It turned out to be a busy day for shooting music videos.

Producer, Director, Photographer, Editor — Steve Boyle
Producer — Tony Madejczyk
Production Assistants — John Cline
Theater Lighting — Bud Simmons and Cliff Atchison
Location — Café DejaVu, Raleigh (Monday, October 19, 1981)
- Hay Street, Fayetteville (Tuesday November 3, 1981)
Performance — Stewart Theater, Raleigh (Tuesday, October 20, 1981)
Song produced by Robert Kirkland (Arrogance) as a demo. Unreleased
Total budget for LIKE A REVOLVER and IT’S NOT FOREVER, $240.

For more (or less) information on Return To Comboland, visit: http://www.returntocomboland.com
http://www.myspace.com/returntocomboland
contact: comboland@skidmedia.com

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Mar 7
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Party am Goldstrand 2007 Bulgarien

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Feb 29
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Clips of a talk by Robert Millet to people preparing for a mission. They know more and are smarter than anyone else and they should never give a straight answer. Never give the “meat” doctrines. Always give “milk.” True Mormon arrogance.

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Feb 27
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The Twilight Zone (1985-1989) S1 Ep 14c

Harry Folger (Elliot Gould, MASH, The Long Goodbye) is a venom-tongued, snobby and arrogant restaurant food critic for a major newspaper, who built his career by trashing restaurants for no reason. Restaurants literally live or die by his reviews. When he overhears another TV restaurant critic praising a little mysterious new Chinese restaurant, he lambastes that place out of pure malice, without even visiting it. However, being the gourmand he is, Harry decides he simply must eat there anyway. Later that day, Folger drops by at “Mr. Lee’s Chinese Cuisine”, and when he enters the restaurant, he arrogantly immediately asks for the check before trying any food. Though visibly disappointed, the owner, Mr. Lee (Bennett Ohta), in accordance with his tradition, presents Harry with a fortune cookie, which he claims is magical and has special powers..

(closing narration) Check please, for Mr. Harry Folger. For whom the phrase “dim sum” is not merely a description, but a damnation. A man who finds himself sitting down to a single, never-ending course of just desserts. Prepared for him in the kitchens of the Twilight Zone..

This episode is based on the short story “The Misfortune Cookie”, by Charles E. Fritch. The story was first published in The Magazine of Fantasy & Science Fiction (November, 1970).

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